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Eugen Sandow (April 2, 1867 – October 14, 1925), born Friedrich Wilhelm Müller, was a German pioneering bodybuilder known as the "father of modern bodybuilding". ==Early life== Sandow was born in Königsberg, Prussia (now Kaliningrad, Russia) on April 2, 1867, to a German father and a Russian mother. His family were Lutherans and wanted him to become a Lutheran minister.〔https://books.google.com/books?id=79QappH54EYC&pg=PA5&lpg=PA5&dq=Eugen+Sandow+lutheran+minister&source=bl&ots=jkj0u4UNdB&sig=-obCq-ga7Wu6T6n3n24TSHtlyyw&hl=en&sa=X&ei=-80XVb_aMsiWgwTg54KoBQ&ved=0CCYQ6AEwAQ#v=onepage&q=Eugen%20Sandow%20lutheran&f=false〕〔http://archive.org/stream/sandowgetsphysicl00sanduoft/sandowgetsphysicl00sanduoft_djvu.txt〕〔https://archive.org/details/sandowgetsphysicl00sanduoft〕 He left Prussia in 1885 to avoid military service and traveled throughout Europe, becoming a circus athlete and adopting ''Eugen Sandow'' as his stage name. In Brussels he visited the gym of a fellow strongman, Ludwig Durlacher, better known under his stage name "Professor Attila".〔(【引用サイトリンク】title=Louis Attila )〕 Durlacher recognized Sandow's potential, mentored and in 1889 encouraged him to travel to London and take part in a strongmen competition. Sandow handily beat the reigning champion and won instant fame and recognition for his strength. This impetus launched him on his career as an athletic superstar. Soon he was receiving requests from all over Britain for performances. For the next four years, Sandow refined his technique and crafted it into popular entertainment with posing and incredible feats of strength. Florenz Ziegfeld wanted to display Sandow at the 1893 World's Columbian Exposition in Chicago, but Ziegfeld knew that Maurice Grau had Sandow under a contract.〔 Grau wanted $1,000 a week. Ziegfeld could not guarantee that much but agreed to pay 10 percent of the gross receipts. Ziegfeld found that the audience was more fascinated by Sandow's bulging muscles than by the amount of weight he was lifting, so Ziegfeld had Sandow perform poses which he dubbed "muscle display performances"... and the legendary strongman added these displays in addition to performing his feats of strength with barbells. He added chain-around-the-chest breaking and other colorful displays to Sandow's routine. Sandow quickly became Ziegfeld's first star. In 1894, Sandow featured in a short film series by the Edison Studios. The film was of only part of the show and features him flexing his muscles rather than performing any feats of physical strength. While the content of the film reflects the audience attention being primarily focused on his appearance, it made use of the unique capacities of the new medium. Film theorists have attributed the appeal being the striking image of a detailed image moving in synchrony, much like the example of the Lumière brothers' Repas de bébé where audiences were reportedly more impressed by the movement of trees swaying in the background than the events taking place in the foreground. In 1894, he also appeared in a short Kinetoscope film that was part of the first commercial motion picture exhibition in history. In April of that same year Sandow gave one of his "muscle display performances" at the 1894 California Mid-Winter International Exposition in Golden Gate Park at the "Vienna Prater" Theater.〔(【引用サイトリンク】title=Sandow's Engagement )〕 While he was on tour in America, Sandow made a brief return to England to marry Blanche Brooks, a girl from Manchester. Soon, due to stress and ill health he returned permanently to recuperate. He was soon back on his feet, and opened the first of his Institutes of Physical Culture, where he taught methods of exercise, dietary habits and successful weight training. His ideas on physical fitness were novel at the time and had a tremendous impact. The Sandow Institute was an early gymnasium that was open to the public for exercise. In 1898 he also founded a monthly periodical, originally named ''Physical Culture'' and subsequently named ''Sandow's Magazine of Physical Culture'' that was dedicated to all aspects of physical culture. This was accompanied by a series of books published between 1897 and 1904 - the last of which coined the term 'bodybuilding' in the title (as "body-building").〔Patrick Scott, 'Body-Building and Empire-Building: George Douglas Brown, The South African War, and ''Sandow's Magazine of Physical Culture'', ''Victorian Periodicals Review'', 41:1 (2008), pp. 78-94〕 He worked hard at improving exercise equipment, and invented various devices such as rubber strands for stretching and spring-grip dumbbells to exercise the wrists. In 1900 William Bankier wrote ''Ideal Physical Culture'' in which he challenged Sandow to a contest in weightlifting, wrestling, running and jumping. When Sandow did not accept his challenge Bankier called him a coward, a charlatan and a liar.〔(Chapman, David L. ''Sandow the Magnificent: Eugen Sandow and the Beginnings of Bodybuilding'' University of Illinois Press (1994) pg 171 ''Google Books'' )〕 In 1901, Sandow organized the world’s first major bodybuilding competition in London's Royal Albert Hall. The venue was so full that people were turned away at the door. The three judges presiding over the contest were Sir Charles Lawes the sculptor, Sir Arthur Conan Doyle the author and Sandow himself.〔(Eugen Sandow: Bodybuilding's Great Pioneer by David Chapman - Author of 'Sandow the Magnificent - Eugen Sandow and the Beginnings of Bodybuilding' )〕 He travelled all around the world on tours to countries as varied as South Africa, India, Japan, Australia, New Zealand. At his own expense, from 1909 he provided training for would-be recruits to the Territorial Army, to bring them up to entrance fitness standards, and did the same for volunteers for active service in World War I.〔Article by Mark Pottle.〕 He was even designated special instructor in physical culture to King George V, who had followed his teachings, in 1911. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Eugen Sandow」の詳細全文を読む スポンサード リンク
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